An exhibition of courage, love
September 19, 2003
Junior James Beare, a history major, visited the exhibition "Bound
to El Nórte" at the Irene Carlson Gallery of Photography in
Miller Hall. The print, titled "Out of Central America," reveals
the effort of a raft captain having recently crossed the river separating
Guatemala from Mexico. The exhibition of 30 photographs by Pulitzer Prize
winner Don Bartletti of the Los Angeles Times will be on display until Oct.
Photos of children fleeing from immigration authorities, riding on top
of trains and hiding behind train cars are among the images that can be
seen in the exhibit "Bound to El Nórte," in the Irene Carlson
The photos taken by Don Bartletti, a staff photographer for the Los
Angeles Times, Orange County Edition, were part of the six-part article
entitled, "Enrique's Journey: The Boy Left Behind," which won
him the the Pulitzer Prize in April of 2003, among other prestigious awards.
The story was the brainchild of staff writer Sonia Nazario, who learned
from her housekeeper about children from her homeland who left with their
grandparents as their parents fled to the United States to make a better
living for themselves. These children would later try to find their parents
in the United States.
Once he heard about the project, Bartletti was anxious to be part of
"Fifteen years prior, I had met an Honduran boy in a shelter in
San Diego, who was caught by immigration as he was traveling by train,"
Bartletti said. "Coincidently, the issue came up."
It took a total of three months for Bartletti to capture all the images
used in the story. Bartletti and the reporter started in Tegucigalpa, Honduras,
to view Enrique's living conditions, which aided them in understanding why
Once on route toward the United States, Bartletti realized the dangerous
and, at times, life-threatening situations he had gotten himself into.
"It was very dangerous in the southern part of Mexico because of
the bandits," Bartletti said. "We had to make sure that we were
only on the train when undercover police were controlling the trains."
Once aboard the train, Bartletti rode only on the back and on top of
the freight trains.
"The potential for children falling off the train was bad,"
Each step Enrique took, Bartletti was right behind him.
Aside from following Enrique's journey, Bartletti separated himself
from the reporter and Enrique as he sought the others desperately trying
to make it safely into the United States. He rode each route twice on the
freight train alone in Northern Mexico then took the bus back to where the
"My job as a photographer was to tell the story of not just Enrique,
but also of the many other young boys and men trying to get to the U.S.
on freight trains," Bartletti said.
For the duration of the trip, Bartletti encountered other problems,
such as being asked for money.
"I could not give even one peso," Bartletti said, "because
that would change the dynamics of the story since people always feel that
they owe something to you."
Bartletti was also robbed by bandits once on the train.
"I lost my cameras, film and notes," Bartletti said. "I
would not do it again. We were lucky the first time."
After viewing Bartletti's "Bound to El Nórte," it is
easy to understand how a mere 30 photographs were able to gain so much recognition.
"The photographs were very captivating," Desiree Quintero,
junior communications major, said. "They were very moving as it told
The exhibit can be seen until Oct. 10 in the Irene Carlson Gallery of
Photography in Miller Hall, and a reception and lecture given by Bartletti
will be held in La Fetra Auditorium Oct. 2 at 7 p.m.